![]() The basic triadic chord for A is spelled A-C-E. One explanation for the use of enharmonic flats and sharps boils down to spelling the chord to which it belongs. They produce the same tone while written differently.) The question remains, however, that if these are essentially the same notes, why bother? Learning to Spell (These are called enharmonic equivalents for those of you seeking to expand your vocabulary. That means an F♭ is an E, and an E♯ is an F. ![]() There are no black keys between these notes – meaning they are already half steps apart. Notice the space between E & F and B & C, however. The black keys exist at half steps between those white keys notes like G♯ and D♭ exist on the black keys. The white keys are usually whole steps apart, and they get names like A, B, C, D, and so forth until you get to G. On a piano keyboard, there are black keys and white keys. To understand why C♭ is such an odd note, you have to understand a little about musical pitches, and the best way to describe this is with a keyboard. Note: I’ve noticed that this post looks just fine in most browsers, but Internet Explorer may have a hard time with the flat and sharp symbols in the text.
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